
In a context in which so many German refugees had actually lost their ancestral homelands in eastern Europe, the Heimatfilm acquainted Germans with the beauty of a more western homeland. //Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010 :286.
从专业的角度来看,《Tausend Melodien》在剧情架构和人物塑造上有一定的可取之处。
这剧情片节奏太慢,剧情拖沓,看得我直打瞌睡,浪费时间!
导演的叙事手法独特而巧妙,成功地将观众带入了一个全新的世界。
影片探讨了深刻的社会议题,引人深思,具有很高的艺术价值。
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