3.5 In Q&A Mangolte said she doesn't consider herself a structuralist filmmaker, but simultaneously explained that this work is a deconstruction of the process of photography. First half is entertaining to watch, then we go to NYC streets. The camera got aggressively shaky and kept pointing at (purposefully?) uncomfortable angles, particularly when it was filming the "picture taking" of buildings. It almost feels like this voice is playing a character of an exploring but unsure photographer trying to capture as much as possible (thus explains lots of unnecessary shots of similar pictures at really bad angles), with her inner anxiety externalized as the unsteadiness of the camera.

早期的影像媒介的mélange 實驗

看过最晕的片子……期间闭眼好几次甚至不得不出去喘口气，babette mangolte作为导演会感觉到她拍摄中比阿克曼更直觉性、更作为影片眼睛的成分

阿克曼早期御用摄影的实验作品（阿克曼自己也出镜了，当时还好年轻），对静态摄影拍摄的一次影像解构，另外也是纽约影像～

有一些喜欢的地方 拍摄者和被拍者的关系 但是中间的城市镜头实在太晕了 即使是steadycam也依然好晕 就是眩晕版news from home 想笑瞬间是bobst library也出现了