他们的放慢让人心跳得很快

This is the kind of work that demand a lot from the audience. It must demand so much to do justice to the image of colonial violence. It’s the kind of work that does not speak but is holding firmly so much semantic and affective space

本来只是随便看看，本来是看演员阵容才点开东方影像：破坏式旅游 Images d'Orient: Tourisme vandale ，结果故事本身也不算拉胯，没什么特别硬伤。

从观感上讲，东方影像：破坏式旅游 Images d'Orient: Tourisme vandale越往后越好看一点，不是那种开头强后面散的感觉，至少不是那种一眼劝退的类型。

影片中的情感线细腻而真实，让人感动不已。