
To describe the events spreading out in Aurore, in Royaume and in Bleu, suitable tools still have to be found ; up until now, nothing much has been said or done about a cinema that quite specifically deals with picture as a sensation. Then one can always attempt, as plainly as possible, to draw a few lines, trying to single out a few dimensions, a few questions, a few perspecti...
the drowning man
认真看完后,本来以为Aurore会很普通,结果看着看着还真有点意思,至少不是那种一眼劝退的类型。
这部电影没有明显的优点也没有明显的缺点,属于中规中矩的类型。
影片所探讨的主题具有一定的潜力,但可惜没有得到深入的挖掘和展开。
这是一部经得起时间考验的作品,每次观看都能发现新的细节和感悟。
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