
Childhood innocence and the adult world clash in the world premiere of this prescient Tiger Award nominated drama from Iranian filmmaker Amir Toodehroosta. With a background in advertising and short films, Toodehroosta has frequently used filmmaking to challenge and critique Iranian society. With Numb, his second foray into feature-length films, he continues to question his sur...
少有的伊朗中产
透过儿童看社会: 因为工作而疏远的父母、因为二胎而疏远的父母、暴力的父母、甚至性骚扰的大人。宗教教育: 女孩最好的装饰是头巾,儿童插着羽毛飞来,男女不得同校。 儿童是白纸,且模仿力超强。 就像牙齿一样,外面看起来还可以,但稍一往内,里面坏了,需要处理内部神经。
明明是最严苛的性别“照顾”之地为什么连女孩的安全都保护不了?恋童癖的染指都压不下去?正义的揭穿都走不了程序?但凡男人存在的地方就有混乱,一道道问题可不止出现在伊朗
幼儿园和社会一样,有人发生不幸有人察觉有人掩饰,最后什么也不会改变。
As the frame captures only what the children see, think, and their limited actions. The untold reality also signifies the harsh truths those children cannot change or overturn. Aspects like domestic violence, sexual abuse, and abandonment—the dark undercurrents of sin—are obscured cuz they belong to the adult realm that is inaccessible to children
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