Małgorzata Szumowska and Michał Englert once again offer unobvious, original cinema that is difficult to pigeonhole, although there are plenty of cinephilic flavours to be found. ‘All Inclusive’ presents a full package of Polish attitudes, vices and characters. The pretext for looking at compatriots is a large, organised trip to Agadir. The travellers include a praying and pren...